Ir:c Solza
2013-2019

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80 x 30 x 60 cm. Cardboard, paper, photographs, text, wire. Mechanical cut-out cinema.

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In the past, which has already taken place, it is still "better" for the dead person

the ground has subsided in one place

this place wants to be holy

some experience of non-event destroys the residual layer

some experience, in the process of repeating itself, claims to signify "worship"

"The Chosen Homeland" does not constitute an archive

hidden places are no more than speech

in the present time, at this time, still

how might we save the places at stake

"The Chosen Homeland" is constructed as a mausoleum

the unfulfilled promise had to be extracted from it

when it itself bears the mark of sacralization

in essence it is Lenin's Shroud

in essence it wants to be a structure

a historical experiment, a Jerusalem

true, true. Once again I turn to the same quotation,

in the past, which has already taken place, it is still "better" for the dead person